“It’s rare that one gets to work on a piece with such weighty emotional impact, so I was very interested from the start,” Satow explains. “I also knew that it was a risky project in many ways. So many people were deeply affected by the events that day. I knew I had to create something that would honor not only the memories of those lost, but also do justice to the emotions of the people that live on in the shadow of that day.”

Full article is here.

Currently we’re in the process of making a 9/11 Memorial Sculpture, and I have a section of an I-beam from the World Trade Center. It’s sobering to look at this thing and think about the fact that this was a strong, straight beam prior to the attacks of 9/11/2001. Part of the process of making this public sculpture involved turning the one length of beam into three: we have a fourteen-foot long section of I-beam, and need one ten-foot section for the sculpture itself, then two smaller sections that will be used for indoor displays about 9/11.

I made a short time-lapse video of the process mostly using a camera we recently set up in the studio to document the progress of sculpture projects. It’s less than two minutes long, but covers the entire process of cutting and slightly smoothing the raw edges (so they won’t cut anyone that touches the beam):

LA Times article